油紙傘和蝴蝶畫，藍(lán)色與黃色交織的夢(mèng)幻

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　　“我對(duì)三星堆最深的印象其實(shí)來自一幅油畫?！敝袊?guó)非物質(zhì)文化遺產(chǎn)油紙傘制作技藝國(guó)家級(jí)代表性傳承人畢六福回憶道。畢六福悉心鉆研手工油紙傘技藝40多年，2016年憑其純手工制作的一把直徑16.2米的油紙傘一舉打破吉尼斯世界記錄。
“In truth it is an oil painting that leaves the most profound impression of Sanxingdui on me.” Bi Liufu recalled， a national representative heir to the oil-paper umbrella manufacturing technique， a distinguished part of China's intangible cultural heritage.  immersed himself in manually oiled paper umbrella skills for more than 40 years， Bi Liufu managed to make an oil-paper umbrella with a diameter of 16.2 meters， breaking the Guinness World Record in 2016. Since then， he has been hailed as the ‘Umbrella King of China’.

　　多年前，畢六福曾在一場(chǎng)非物質(zhì)文化遺產(chǎn)活動(dòng)的現(xiàn)場(chǎng)看到一幅描繪三星堆的油畫，這幅油畫也成為畢六福創(chuàng)作“幻彩三星堆”的靈感來源。
A few years ago， Bi Liufu observed an oil painting of some of Sanxingdui's relics at a Chinese intangible cultural heritage event. This painting helped inspire his own Colourful Sanxingdui project.

　　“我記得那幅畫大面積使用了藍(lán)色和黃色，非常精美，在我看來三千年前的三星堆文物應(yīng)該就是這樣的顏色?！鄙頌榉沁z傳承人，畢六?？偸亲苑Q“手藝人”，在制作三星堆油紙傘的過程中，畢六福仿佛和三千年前的古蜀國(guó)手藝人有了一場(chǎng)對(duì)話?！拔艺J(rèn)為三星堆是智慧且充滿工匠精神的，幾千年前有如此高超的工藝非常令人敬佩。”畢六福還有一絲遺憾，“要做一把好傘，選傘骨最重要，每年8月15后的竹子最適合，到時(shí)候我會(huì)再做一把三星堆的油紙傘，讓更多人看到油紙傘和三星堆文化的奇妙結(jié)合?！?br style="-webkit-tap-highlight-color: transparent; box-sizing: border-box; outline: none; max-width: 100%;"/>“I remember that blue  yellow make up a large part of that exquisite painting. In my opinion， these are exactly the colours that the Sanxingdui relics were 3，000 years ago.” As an heir to one part of China's intangible cultural heritage， Bi Liufu has preferred to describe himself as a craftsman. During the process of crafting the Sanxingdui oil-paper umbrellas， Bi Liufu appeared to have a dialogue with the craftsmen of the ancient Shu Kingdom 3，000 years ago. “I believe that Sanxingdui is the result of a combination of wisdom  the spirit of craftsmanship. The ancient people had such superb craftsmanship， all those thousands of years ago. How admirable that is!＂ With a whiff of nostalgia， Bi Liufu said， “The wooden portions are the key to an excellent umbrella，  the bamboo after August 15 is the best. Therefore， at that time I will make a new Sanxingdui oil-paper umbrella so that more people can enjoy this fantastic combination of oil-paper umbrellas  Sanxingdui culture.”

　　“這幅蝴蝶畫的主色是黃色，上面點(diǎn)綴藍(lán)色，這兩種顏色組合起來非常浪漫夢(mèng)幻?！彼拇ㄊ」に嚸佬g(shù)大師、瀘州蝴蝶畫非遺傳承人王世宏對(duì)三星堆色彩的理解與畢六福不謀而合。王世宏從事蝴蝶畫創(chuàng)作已經(jīng)30多年，這次“幻彩三星堆”的創(chuàng)作，他使用了黃色的箭環(huán)蝶、綠色的綠鳥翼鳳蝶等組合完成。瀘州蝴蝶畫延續(xù)了中國(guó)千年的蝴蝶文化，選擇不同外形的蝶翅巧妙組合，蝶翅組成塊面，不同品種蝶翅的肌理、圖案和金屬光澤，形成了與其他藝術(shù)不同的特殊美感。

“Butterfly painting is yellow-dominated  blue-dotted； their combination makes for a romantic  dreamy scene.” Wang Shihong， Sichuanese craft master  heir to the Luzhou school of butterfly painting， happened to share the same view as Bi Liufu on Colourful Sanxingdui. With rich experience in butterfly painting for over 30 years， Wang Shihong combined yellow Jungle Queen butterflies，blue xxx butterflies  green Cape York birdwing butterflies to create his Colourful Sanxingdui project. Luzhou butterfly painting has kept Chinese butterfly culture of thousands of years alive. For this kind of painting， butterfly wings in various shapes are subtly combined into finely arranged planes， while dreamlike textures， patterns  metallic glosses of different kinds of butterfly wings are integrated to create a unique aesthetic feeling.

　　2006年，王世宏第一次通過電視新聞看到了三星堆青銅頭像，“我第一眼就覺得三星堆青銅頭像的眼睛和綠鳥翼鳳蝶太像了！”王世宏介紹道，綠鳥翼鳳蝶的蝶翅形狀狹長(zhǎng)，恰似三星堆青銅頭像微微上挑的雙眼，蝶翅特有的紋理和閃耀的光澤也還原了青銅本身的質(zhì)感，不僅如此，它們共有的夢(mèng)幻和浪漫色彩也讓王世宏著迷?！盎貌嗜嵌选钡难?qǐng)，讓王世宏完成了多年前就有的靈感，為蝴蝶畫版的三星堆文物安裝上了一雙夢(mèng)幻的眼睛。
In 2006， Wang Shihong saw Sanxingdui’s Bronze Human Heads for the first time on television news. “At the first sight， I find that the eyes in the Bronze Human Heads extremely resemble that of Cape York birdwing butterflies!” He pointed out that the thin  long wings of Cape York birdwing butterflies took after the slightly upturned eyes in the Sanxingdui bronze statues； butterfly wings’ special textures  glittering glosses echoed the natural texture of bronze；  additionally， their shared dreamy  romantic hues entranced him a great deal. Colourful Sanxingdui’s invitation enabled Wang Shihong to bring to life his inspiration of several years before， by creating a couple of dreamlike eyes for the Sanxingdui relics in the form of butterfly painting.

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